ocha records latest vinyl release introduces two gems from dj kemits (also known as ½ of kemeticjust) full length release everlasting. the former dj and producer for the grammy award winning group arrested development brought his soul sensibilities to this project and caught the attention of carlos mena who enlisted the help of some real dance music heavyweights to rework two of the tunes.

pegasus warning is the soulful noise & brainchild of front man guillermo e. brown, making his deep&disco debut with try so hard.an anthemic slice of future soul, the package includes a dark and dubby remix by 6th borough project, a moody deep house mix by son of sound, a dance floor banger by caserta, and head nodding boom-bapper from d&d label head jkriv.

bulgarian duo 1000 names debut on kelpes drut recordings with their fourth lp, migration pads – an elegant 10-track outing glowing with warmth and nostalgia. following earlier releases on black acre, eklektik and project mooncircle, 1000 names are the next to join the drut stable after chesslo junior’s passionate debut back in may.

after a three-year production hiatus, barcelonas techno kingpin paco osuna returns with not only a new release for richie hawtins minus label, but also his debut lp, entitled long play-eight precision tracks, purpose-built for the dance floor in his inimitable style.long play is a meeting point of paco osunas past and his future

at a time when techno music was new and mainly innocent, a spirit was born that gave rise to a cheerful culture of independent minded people, who were then reclaiming empty spaces for the sole purpose of pure pleasure. through these places a unique vibe was created, embracing people with the lush abundant luxury of letting them feel at home, welcome and a part of a family. heideglühen is such a place and arguably host to the hottest dance floor berlin has got to offer.

for the third in its fifth anniversary release series, stroboscopic artefacts brings together tracks from xhin, tommy four seven, kangding ray and dsrcd. xhins blade moth, previously released digitally by meerestief, finds today new (and remastered) life on sa. it is deep and propulsive, with scattershot percussion reverberating around finely tuned kicks and sci-fi oscillations. the detailed sound design and experimental quirks are typical of the producer, they made for a stunning debut album on sa in 2011, and here elevate the functional 4x4 skeleton into a fantastically ethereal piece of dance music

legendary house producers, soichi terada & shinichiro yokota are back to kickstart the first release on london based label, hhatri. after almost 20 years, since their work on soichi terada s far east recording label, their music has become some of the most highly sought after, forward-thinking masterpieces in house music. featuring three of the finest, hard hitting house tracks from the far east, fully remastered and packaged with a monstrous remix by none other than, fabio monesi, expect it to smash the dance floor apart.

ronald burrell s reputation as deep house royalty has long been solidified throughout the years having released on many legendary labels since the late 80 s including nervous, nu-groove, strictly rhythm & many more. working both solo and alongside his brother rheji his output has always caught the interest and ears of dance music aficionados world-wide with a heady mixture of gospel, soul / r&b, jazz, & garage heavily informing his sound. surprising as it is, -it s a boy- was never released, only ever existing as a test pressing! the 4 track ep takes in all the musical influences listed above and flips them into some seriously deep territory. opener -journey- is an epic jam punctuated by an 808 cowbell, beautiful pads, strings and ronald s voice asking us to join him on a journey through our own minds. second cut -feelin jazzy- picks up the pace a little, a stripped back rhythm blessed with some choice, chopped up jazz samples and vocal stabs keeps things moving in the right direction. over on side-b we are treated to the deepest groove of -bedtime story-, which has all the trademarks of a classic burrell production, soulful vocals, melodies and crisp drum programming. closing track -the crib- rounds things with off with a stomping church inspired organ groove, an up-lifting end to the ep. as mentioned above, this is the very first time this underground house classic has ever been released! this record is a real collectors piece and has commanded collectors prices on-line in the past, a real rarity. it has been re-mastered and re-pressed in conjunction with ronald burrell from his original dat tapes and all original label artwork has been preserved.

180 gr vinyl! international feel label boss mark barrott loves obscure library music. an avid collector, he is forever searching it out in far flung parts of the world. here he presents his newest discovery: len leise

tuff cuts returns with the mighty late night tuff guy, fresh from his european tour & defected glitterbox residency in ibiza over the summer at boom. another 4 killer cuts are given the lntg treatment.

nick curly s first truesoul release is outstanding. this collection of three track s encapsulates both nick curly s and truesoul s ethos and moulds them into a driving house machine. first off, crossroads uses a delicate melody that is under-lined with lashings of driving drums. trust shuffles along with it s rolling percussion and bass line whilst indigo child is just as funky and will get any dance floor fired up.

nachdem die nachfrage an den - bisher nur digital veröffentlichten - shaken-up versions so groß war, erscheinen die acht neu aufgearbeiteten the knife-klassiker nun auch als cd und lp am via rabid records. shaken-up versions präsentiert bekannte the knife songs in einem neuen klanglichen gewand. neben without you my life would be boring wurden u.a. auch pass this on oder silent shout neu bearbeitet. außerdem kündigte das legendäre geschwisterpaar ihre allerletzte tour an! auf dieser tour werden die tänzer nicht mehr nur tänzer sein, sie werden singen und instrumente spielen, die bühne wird drei ebenen haben und shannon funchess (light asylum) wird sie auf der ganzen tour begleiten. in diesem sinne: join us in our dance for some last shaking moves!
1 rotes + 1 blaues 180 gramm vinyl im klappcover, inklusive cd und booklet.

two decades ep sees london producer missing join the fold for the fourth installment of five folds mandate: releasing quality dance music free from genre and tempo constraints. hailing from the heady days of the uk jungle scene circa 94, followed by a host of releases as one half of the breaks duo c83 throughout the noughties, missing re-emerges on the scene with four dancefloor fillers spanning uk bass house, garage/ jungle grooves and vocal deep house.

kool vibes music today reflects the best of the 90s house music sounds that he manages to capture so well. after releasing on my love is underground & traxx underground in 2011 and 2012, the french producer launched his very own label kv records in 2013. here he comes back with a new solo project on his own label : the black & white project (pt.1 & pt.2) both records will be sold separately after an interval of one month. these two eps invite you to a musical journey through 8 tracks which definitely prove mr. vibes unconditional love for house music. every track is a dedication to the essential vibes of the 90s and a joyful reminder of those original days when house music was in the making.

romansoff is the man behind raw tools, a guy who loves to dj and arrange parties in and around bucharest, he is starting to stretch his wings further afield. with a release on machine records inc being his first for another label, romansoff delivered 3 tracks of dancefloor goodness to the ruff draft inbox that made me jiggle in my chair. it was when i got up and started to dance like my dad, and my son started to laugh and point, that i knew it was a winner. i contacted romansoff who suggested we should have a game of stone, paper, scissors to decide the track order

know widely for delivering no nonsense dance floor weapons of the highest quality, one records pull out the goods once again with a double hitter from acid mondays. back on board the label since their standout remix of andrade was released earlier this year, this time they offer their unique production skills with schlurptastic and dohec. on the b-side bass culture boss djulz brings two sterling remixes to the table

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.

our label residents tigerskin and till von sein are back with their annual attack on your dance floor. as you know from their previous releases we can expect raw and uncompromised house music here.

relax your body is a killer slice of narcotic, mid-tempo italian heaviness from way back in the late 80s. coming out on italys full time label, an italo disco imprint that embraced the burgeoning house scene in italy, and finding favor across europe and the uk with djs like andrew weatherall, its klf sampling groove and spoken, authoritative, mantra-like lyrics no doubt sound tracked some of the headiest moments in the corners of darkened, dry ice filled dance-floors throughout 1989 and beyond.

inner city records returns with their fourth release, continuing with the ethos of providing first class, dance floor-driven house music with groove and attitude. innercity welcomes the return of an artist who has been there from the very first release and one that fits the innercity sound perfectly. leigh d oliver, hailing from yorkshire (uk) has firmly established himself as an artist synonymous with top-notch house music. leighs passion for proper house coupled with his raw talent has resulted in him gaining numerous chart positions and releases on prestigious labels such as large music, underground source and freche fruchte.

watch out, it is one track/remix cut over 2 sides to ensure more sound volume. 16 minutes each side, total of 32 minutes! anyone who takes it upon themselves to contemplate over the history of house music, along with its highlights and key players, will inevitably stumble upon dj pierres name sooner or later. the chicago born producer and dj has been living and breathing underground dance music, namely house, since its inception in his very own hometown. for this very special get physical release, weve decided to pay homage to dj pierres contribution to the worldwide dance community by way of an epic re-release of that most iconic of tracks, >what is house muzik<.

jana kirschner - a child of the bear and blueberry soaked forests of the geographical centre of europe, the land locked land now known as slovakia, mushrooms, berries, and nuts were her toys, the folk songs of slovaks, roma, and the magyar, her education….. winning spandex clad dance comps at 8 years old down the local dom kulture - culture house - disturbingly garish singing competitions by 12, and early forays into songwriting via misguided western wannabe production…. the surest route to 90s era slovakian stardom. jana has changed course so abruptly so frequently in her now eight album career no one dare guess her next move, yet with muzika she has landed, and announced, here is music, a celebration, no rules, pompous, bombastic, day-glo nonsense, it could only come from central europe.

the swedish trance duo son kite is back, releasing their first album in ten years. and they are on a mission. *dancing is a very important ritual. our main mission as artists is to make people get into this trance state*, they say. since the release of their third album *colours* in 2004, marcus henriksson and sebastian mullaert have been focusing on their other project minilogue, touring the world and gaining increasing popularity in the house and techno scene. with *prisma*, released on november 17th and consisting of seven tracks made between 2007 and 2014, the duo leaps back to the endless energy and enthusiasm they felt when they first started making music together in 1996. and back to what it is all essentially about, according to the two musicians: getting into the all-important dance ritual and reaching the trance state.

after their departure to russia with ol meda fury head south west to holland and visit star in the making d-ribeiro, fresh from early releases on midlight, syncom data and finale sessions.

the ep is called spotlight diktat in reference to the feeling some djs have when they are on tour. a kind of dj melancholia generated by airplanes, dehumanized hotels, waiting hours in boring terminals, basically traveling alone. i made these tracks out of this mood. at first they sounds like the typical groovy dance tracks, but when the melody comes out, you immediately feel there is something wrong now the track is on and you still dance (of course its made for that) but you could almost cry to it too. so this is what happens when a dj or a producer has to do their job, but they aren t really in the mood for it. when the party comes, they just forget everything and make the show happen regardless. they have to bear the spotlight diktat and keep on entertaining people regardless of what they have in mind.

fantastic new album of disco, modern soul and boogie from 1978-82 on soul jazz records. the 2x12 inch lp includes a download code.

none of them make music for the twenty-second century. the duo is constantly deconstructing its stylistic boundaries and follows traditions only to destroy them. on stage, signup (anymouse, big zis, grenzgänger) is the master of ceremony, michal ho (tuning spork, nicetry, etc.) is the selector. vocals glide over beats generated in little boxes full of flashing lights, sometimes smooth, sometimes razor-sharp. the debut album *one of them* will be released on nicetry records and comes on double 12 inch vinyl with download code included.

played by ricardo villalobos
lady blacktronika aka “the first lady of beatdown” brings three solid productions with all in vain ep, the next instalment on bass culture records. discovered on myspace by mike huckaby back in 2007, lady blacktronika’s sound brings a gritty edge from her street days, while simultaneously oozing a unique female sensitivity. making an impressive transition from the days when the dj boys wouldn’t let her play with their toys, she runs multiple labels, sound black recordings, sound kemystry and is co-creator of cocaine records, as well as releasing on deep explorer, skylax, underground quality and now bass culture. jumping straight in with learn me baby, the a side sets the tone with a deep and pounding, powerful groove. the title track takes it up a notch, the most incessant of the package, built for that peak-time dance floor fury. while the techno undertones remain, lord knows is a beautiful swirling house number that infuses the ears and body. the common denominator in all cases is the resonating voice of lady blacktronika herself, adding the human touch… a touch of soul.

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the second album from bombers, penned by pat deserio (kebekelektrik / rational youth) and george lagios. more accomplished than its predecessor, the self titled >bombers< lp, 2 takes their sound further and produced their major hit>(everybody) get dancin<. stepping away from danceable boogie instrumentals, and putting more emphasis on upfront vocal dance workouts there are a number of highlights including >lets dance<, >shake< and >pistolero<.

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monster release produced by tony cha cha. bleeps, noises, fat beats, the perfect dj tool to make people dance whatever happens. limited copies available

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

if there is one thing jonas kopp has proven over the last decade is that he can turn his hand to just about anything. since debuting on pfirters revered mindtrip music back in 2006, the buenos aires native has managed to rack up a rich and compelling discography, coursing with ease through electronic musics various forms. from warm chicago house through to deep, dark and driving techno on labels like deeply rooted house, stroboscopic artefacts and more, kopps hypnotic and heady sentiment has remained the red thread throughout, which has allowed him to flourish as one of technos more liberal dance floor purveyors.

we here at watergate are extremely excited to bring you our next 12inch release from a close friend of the club and producer extraordinaire, alex niggemann. for this ep alex joined forces with the acclaimed voice from whomadewho, bon homme, to create an incredibly warm and beautiful journey. sorrow is a masterfully crafted array of sound and emotion. while a big rolling kick and crisp hand claps drive the groove, a capricious arpeggio, warm piano chords and the smooth serenade of bon hommes vocals create an undeniably passionate excursion into the deeper moments one can experience on the dance floor.

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>099< is a phat two track ep of silky electronic dance music !! the main cut is a darling hypnotic track that becomes more addictive each time. the bleeps multiply before making room for the master hit. the mood continues to climb and feet shall stick to floors

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phat phreaky rockin dance clubber

lonelady meldet sich mit einem 6-minütigen funky dance-groover zurück. -groove it out- klingt wie eine fusion aus dem spät-70 er disco-punk-funk von esg und a guy called geralds hypnotischem ibiza-klassiker -voodoo ray-. mit leichter funkgitarre und erfrischenden (vocal-)passagen über einem einfachen machine-drumbeat. organik trifft elektronik, produziert von lonelady zusammen mit bill skibbe

cut copy presents: oceans apart - vol 1, is the first of two vinyl 12 inch eps that compile a selection of un-mixed highlights from the dj mix compilation, for djs, vinyl collectors and home listeners. globetrotting melbourne ambassadors cut copy present oceans apart, a 19-track snapshot of their hometowns thriving underground dance music scene and club culture. this first volume includes michael ozone (esp institute), andras & oscar (mexican summer, dopeness galore), nile delta (cutters), roland tings (internasjonal).

soft gamma repeater finds graze continuing to develop and refine their singular voice, enmeshing a tough percussive edge with the rich textures of dance music at its deepest. but it doesn t take many listens to realize that soft gamma repeater is also their fullest and most accomplished effort to date, as well as their most cohesive. limited 3x 12 inch!!

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

back on track after a nine year hiatus the next release from cosmic records continues with the lost recordings series - atonement ep, lr9, by steve bicknell. cosmic, founded in 1993 by sheree rashit and steve bicknell, ran in conjunction with the pairs infamous lost events, the lost recordings division of cosmic, being a reflection of the lost dance floor.
lost recording 9, atonement ep, comprises 4 untitled mesmerizing tracks filled with intensity and spirit. supported by jeff mills, mike parker, surgeon oliver ho & luke slater to date.

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

london-based artist jonny cade has already enjoyed solid recognition for his releases on the likes of 2020 vision and morris audio. this time round, he raises his game once again for music is loves 10th release, dishing up a serious dose of house goodness aimed squarely at the dance floor.

see how well it fits! the classic insidious groove. this is the sound of cocaine, people. the gay marvine interpretation takes the shape that another detroiter found on his political disco classic and allows the full song to reveal itself. a dance floor treasure.

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

alan fitzpatrick is back with a three-track ep that encapsulates what alan s drumcode sound is all about. hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top. check! in short, this ep is everything we have come to expect from alan over his long history with drumcode (this is his 10th ep as a solo artist!), but still his sound remains fresh and super-charged for 2014.

for the sixth instalment in our catalogue we are extremely happy to be welcoming two new faces to the tribal pulse family. during our label showcase at last years amsterdam dance event, sonic union from sweden and khen from israel voiced their intentions to collaborate on writing a track in the specific style of tribal pulse. the week before our showcase at this years ade we have the privilege of releasing it, and we think you will agree that they have hit the nail on the head.

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

memory is the new solo ep from wys! co owner and resident jacob husley.the originals warm atmosphere is broken up by a darker bass stab, a dreamy vocal floats on top of the underlying bouncy sub bass. the track builds and breaks finally dropping into a harder groove with busy 909 claps sprayed on top. glimpses remix strips the track down and adds his own trademark warm dusty kick drums and percussion. the vocal gets pitched down, resulting in one of those special tracks that can be dropped anytime guaranteed and tested to groove and get the dance floor moving.

mark e presents a late-year surprise with avion ep. featuring two new tracks from the producer plus remixes.